{"id":2066,"date":"2021-06-09T12:18:50","date_gmt":"2021-06-09T10:18:50","guid":{"rendered":"http:\/\/somaticlandscape.com\/?page_id=2066"},"modified":"2022-01-04T21:33:02","modified_gmt":"2022-01-04T20:33:02","slug":"fragments-and-bondings","status":"publish","type":"page","link":"https:\/\/somaticlandscape.com\/index.php\/fragments-and-bondings\/","title":{"rendered":"Fragments and Bondings"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"2066\" class=\"elementor elementor-2066\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-42b5112 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"42b5112\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-25176cd\" data-id=\"25176cd\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-05b9ca9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"05b9ca9\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-85062ae\" data-id=\"85062ae\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0dfe1af elementor-widget elementor-widget-heading\" data-id=\"0dfe1af\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Fragments and Bondings<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e030d6d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e030d6d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-658faa4\" data-id=\"658faa4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-97884a2 elementor-widget elementor-widget-heading\" data-id=\"97884a2\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">THE BODY CREATIVE MEMORY IN COVID TIMES<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a5e663b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a5e663b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-be7595d\" data-id=\"be7595d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-bb19621 elementor-widget elementor-widget-text-editor\" data-id=\"bb19621\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<p>The Laboratory &#8220;Fragments and Bondings: the Body Creative Memory in Covid Times&#8221; (2021), was co-directed by Ana Moya (CHAIA, U. \u00c9vora), and Guille Vidal-Ribas, dance choreographer, performer, stage and movement director, cultural manager and researcher in the fields of street dances and theatre studies. It was developed in the framework of a transdisciplinary artistic applied-research, in the field of performing arts (site-specific dance, physical theatre, and performance) and theoretical thinking (performative and landscape studies and heritage), funded by The Cultural Initiative Support Office (OSIC), Cultural Department, Generalitat of Catalonia, Spain (CLT019\/20\/000154), in the format of an artistic research residency at \u2018Xamfr\u00e0, Raval&#8217;s Music and Performance Centre\u2019, Barcelona. The laboratory was implemented in the context of the district&#8217;s summer-activities addressed to adolescents in the neighbourhood, in July 2021. It engaged the participation of young people in Raval&#8217;s neighborhood at risk of social exclusion, among them unaccompanied young immigrants. We counted with 10 participants from 15 to 25 years old from a multicultural background (three from Morocco, three from Spain (Barcelona), two from Ghana, and two from Peru). Two participants were unaccompanied minors and one came from street social services. The Laboratory took place during two weeks from the 5th to 15th, July 2021, in afternoon sessions of four hours each.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-537b24d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"537b24d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-2a39163\" data-id=\"2a39163\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;slideshow&quot;,&quot;background_slideshow_gallery&quot;:[{&quot;id&quot;:5976,&quot;url&quot;:&quot;http:\\\/\\\/somaticlandscape.com\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/FragmentsBondings_1.jpg&quot;}],&quot;background_slideshow_loop&quot;:&quot;yes&quot;,&quot;background_slideshow_slide_duration&quot;:5000,&quot;background_slideshow_slide_transition&quot;:&quot;fade&quot;,&quot;background_slideshow_transition_duration&quot;:500}\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-ddbdf14\" data-id=\"ddbdf14\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-05aaf0c elementor-widget elementor-widget-text-editor\" data-id=\"05aaf0c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<p>In this work, developed in 2021, we were concerned with this traumatic present experience derived from Covid-19 pandemic and we were aware of the importance to design a pilot laboratory in which to apply an experimental methodology. Our objective was to stimulate environmental awareness and seek people&#8217;s physical and mental wellbeing. We wanted the participants to rediscover their bodies, the relationship they establish with others (the community), and the urban spaces they inhabit. We wanted to foster social and emotional resilience and environmental adaptation to the new circumstances. We used body movement improvisation, physical theatre techniques, and site-dance to explore body memory as a tool for defining new affective bonds with urban places, new environmental adaptation processes, and \u2018body-place-community\u2019 relational universes.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8cf7e41 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8cf7e41\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-73b9bc9\" data-id=\"73b9bc9\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ca9bf08 elementor-widget elementor-widget-text-editor\" data-id=\"ca9bf08\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<p>\u00a0<\/p><p>The sessions took place indoors in CESIRE (Center for Specific Pedagogical Resources to Support Innovation and Educational Research, Raval, Barcelona), and outdoors in eight different locations in Raval neighbourhood: two Parks (St. Pau del Camp Gardens and Tres Xemeneies), three squares (Blanquerna and Portal de la Pau; V. Moltalb\u00e1n and S. Segu\u00ed; and Seguretat Social), two boulevards (Rambla del Raval and Rambla de Sta M\u00f3nica); and Drassanes docks.<\/p><p>\u00a0<\/p><p><img loading=\"lazy\" class=\"aligncenter wp-image-5912\" src=\"http:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/Mapalocations_FragmentsandBondings_2-1024x673.jpg\" alt=\"\" width=\"609\" height=\"400\" srcset=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/Mapalocations_FragmentsandBondings_2-1024x673.jpg 1024w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/Mapalocations_FragmentsandBondings_2-300x197.jpg 300w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/Mapalocations_FragmentsandBondings_2-768x505.jpg 768w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/Mapalocations_FragmentsandBondings_2-1140x749.jpg 1140w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/Mapalocations_FragmentsandBondings_2.jpg 1225w\" sizes=\"(max-width: 609px) 100vw, 609px\" \/><\/p><p>\u00a0<\/p><p class=\"Newparagraph\"><span lang=\"EN-GB\">In this research, we use body movement improvisation, physical theatre techniques, and site-dance to explore body memory as a tool for defining new affective bonds with urban places, new environmental adaptation processes, and \u2018body-place-community\u2019 relational universes. We understand our everyday lived experiences in their embodied, environmental and social dimension. The body is experienced as an inner and mental-sensory space. Urban places are acknowledged as outer and environmental-atmospheric spaces. The community is valued as a space of relationships, identifications and differentiation. <\/span><\/p><p class=\"Newparagraph\"><span lang=\"EN-GB\">We enquired about the relevant role that a creative body memory might play in the redefinition of a body-place-community dialogue, modified by the arrival of Covid-19.\u00a0 In this creative body memory exploration we observed the individual body memory built on impulses, actions, gestures, and bodily responses; and the collective body memory built on social exchanges and relationships. <\/span>We also worked with two types of body memories: \u2018situational\u2019 and \u2018intercorporeal\u2019. The \u2018situational\u201d is a spatial memory, inseparable from multi-sensory and atmospheric perception and the \u2018intercorporeal\u2019 memory is based on relational embodied interactions and encounters. We also moved between the inner world (mental-sensory) and the outer world (environmental-atmospheric).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1ee6d66 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1ee6d66\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c49ea0b\" data-id=\"c49ea0b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b7385ed elementor-shape-circle elementor-grid-0 e-grid-align-center elementor-widget elementor-widget-social-icons\" data-id=\"b7385ed\" data-element_type=\"widget\" data-widget_type=\"social-icons.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-social-icons-wrapper elementor-grid\">\n\t\t\t\t\t\t\t<div class=\"elementor-grid-item\">\n\t\t\t\t\t<a class=\"elementor-icon elementor-social-icon elementor-social-icon-facebook elementor-repeater-item-5ce1e4c\" href=\"https:\/\/www.facebook.com\/fragmentsilligams\/\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-screen-only\">Facebook<\/span>\n\t\t\t\t\t\t<i class=\"fab fa-facebook\"><\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-grid-item\">\n\t\t\t\t\t<a class=\"elementor-icon elementor-social-icon elementor-social-icon-youtube elementor-repeater-item-034486e\" href=\"https:\/\/www.youtube.com\/channel\/UCf_KCFiseOYc5T6HSaIQUZA\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-screen-only\">Youtube<\/span>\n\t\t\t\t\t\t<i class=\"fab fa-youtube\"><\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3cbd8ca elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3cbd8ca\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-497d4ff\" data-id=\"497d4ff\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5080ea4 elementor-widget elementor-widget-spacer\" data-id=\"5080ea4\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-64d7daf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"64d7daf\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b24a110\" data-id=\"b24a110\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1d48cf9 elementor-tabs-view-horizontal elementor-widget elementor-widget-tabs\" data-id=\"1d48cf9\" data-element_type=\"widget\" data-widget_type=\"tabs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-tabs\">\n\t\t\t<div class=\"elementor-tabs-wrapper\" role=\"tablist\" >\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-3071\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-3071\" aria-expanded=\"false\">ENVIRONMENTAL DIMENSION<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-3072\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-3072\" aria-expanded=\"false\">CORPOREAL DIMENSION<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-3073\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-3073\" aria-expanded=\"false\">SOCIAL DIMENSION<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<div class=\"elementor-tabs-content-wrapper\" role=\"tablist\" aria-orientation=\"vertical\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-3071\" aria-expanded=\"false\">ENVIRONMENTAL DIMENSION<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-3071\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-3071\" tabindex=\"0\" hidden=\"false\"><p><img loading=\"lazy\" class=\"alignleft wp-image-5977\" src=\"http:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_2.jpg\" alt=\"\" width=\"360\" height=\"240\" srcset=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_2.jpg 975w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_2-300x200.jpg 300w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_2-768x512.jpg 768w\" sizes=\"(max-width: 360px) 100vw, 360px\" \/>With the \u2018environmental dimension\u2019, our exercises aimed to detect the participants habits and tendencies when relating to the space and place they inhabit. Exercises encouraged them to find novel ways to interact with public spaces through a renewed sight, hear, and touch experience. They detected the particular atmosphere of places with their formal and rhythmic characteristics, and all physical components of those spaces were resources for their body creativity. Their actions in space affected how they transformed public spaces because we have an individual and collective capacity to re-signify places and their potential uses.<\/p><p>\u00a0<\/p><p>Inside this dimension we studied the following topics: 1. environmental awareness (<strong>reflection<\/strong>), 2. environmental involvement (<strong>intercorporeality<\/strong>), 3. the blending of bodies and environments (<strong>immersion<\/strong>), 4. embodied environmental absorption (<strong>interpretation<\/strong>).<\/p><p><img loading=\"lazy\" class=\"alignnone size-large wp-image-5978\" src=\"http:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_4-1024x576.jpg\" alt=\"\" width=\"960\" height=\"540\" srcset=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_4-1024x576.jpg 1024w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_4-300x169.jpg 300w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_4-768x432.jpg 768w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_4-1536x864.jpg 1536w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_4-1140x641.jpg 1140w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_4.jpg 1920w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-3072\" aria-expanded=\"false\">CORPOREAL DIMENSION<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-3072\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-3072\" tabindex=\"0\" hidden=\"hidden\"><p><img loading=\"lazy\" class=\"alignleft wp-image-5982\" src=\"http:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_5.jpg\" alt=\"\" width=\"365\" height=\"243\" srcset=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_5.jpg 975w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_5-300x200.jpg 300w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_5-768x512.jpg 768w\" sizes=\"(max-width: 365px) 100vw, 365px\" \/>With the \u2018corporeal dimension\u2019, our exercises focused on noticing one&#8217;s own body, its shape and volume, its weight and motor possibilities. We motivated the awakening of the participants&#8217; senses, stimulating their inner and outer perceptual capacity. It was important to explore their body&#8217;s natural rhythms with special emphasis on breathing, heartbeat and other external movement\u2019s rhythms. According to different emotional states, the listening to those body changes foster a sense of presence and psychophysical availability.<\/p><p>\u00a0<\/p><p>\u00a0<\/p><p>Inside this dimension we studied the following topics: 5.creative embodied replication of environmental experiences (<strong>recreation<\/strong>), 6. the evocation and assimilation of past embodied experiences (<strong>incorporation<\/strong>), 7. the radiation of the body&#8217;s pulsation (energies and rhythms) into the environment (<strong>projection<\/strong>).<\/p><p>\u00a0<\/p><p><img loading=\"lazy\" class=\"alignnone size-full wp-image-5987\" src=\"http:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_7.jpg\" alt=\"\" width=\"974\" height=\"650\" srcset=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_7.jpg 974w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_7-300x200.jpg 300w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_7-768x513.jpg 768w\" sizes=\"(max-width: 974px) 100vw, 974px\" \/><\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-3073\" aria-expanded=\"false\">SOCIAL DIMENSION<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-3073\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-3073\" tabindex=\"0\" hidden=\"hidden\"><p><img loading=\"lazy\" class=\"alignleft wp-image-5993\" src=\"http:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_9_10.jpg\" alt=\"\" width=\"365\" height=\"244\" srcset=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_9_10.jpg 974w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_9_10-300x200.jpg 300w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_9_10-768x513.jpg 768w\" sizes=\"(max-width: 365px) 100vw, 365px\" \/>With the \u2018social dimension\u2019, our exercises detected one&#8217;s habits and tendencies when interacting with other people and we aimed to find novel ways of interrelating with others and in the group, using body language, spoken words, and shared actions. Exercises brought awareness about physical and ideological diversity and it inspired creative and artistic cooperation. We encouraged a caring attitude among participants through mutual listening, empathy, solidarity and teamwork.<\/p><p>\u00a0<\/p><p>\u00a0<\/p><p>Inside this dimension we studied the following topics: 8. the involvement and dialogue with the other using an embodied language of communication (<strong>connection<\/strong>), 9. the sharing of embodied experiences (<strong>exchange<\/strong>), 10. the creative actions and performances with a willingly transformation of reality and the environment (<strong>desire<\/strong>).<\/p><p>\u00a0<\/p><p><img loading=\"lazy\" class=\"alignnone size-large wp-image-5994\" src=\"http:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_8-1024x576.jpg\" alt=\"\" width=\"960\" height=\"540\" srcset=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_8-1024x576.jpg 1024w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_8-300x169.jpg 300w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_8-768x432.jpg 768w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_8-1140x641.jpg 1140w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/FragmentsBondings_8.jpg 1280w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/p><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5ff7d8c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5ff7d8c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-16d4302\" data-id=\"16d4302\" 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class=\"swiper-slide-image\" src=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/Fragments_carrusel_5.jpg\" alt=\"Fragments_carrusel_5\" \/><\/figure><\/div><div class=\"swiper-slide\"><figure class=\"swiper-slide-inner\"><img class=\"swiper-slide-image\" src=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/Fragments_carrusel_1.jpg\" alt=\"Fragments_carrusel_1\" \/><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-pagination\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-prev\">\n\t\t\t\t\t\t<i class=\"eicon-chevron-left\" aria-hidden=\"true\"><\/i>\n\t\t\t\t\t\t<span class=\"elementor-screen-only\">Previous<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-next\">\n\t\t\t\t\t\t<i class=\"eicon-chevron-right\" aria-hidden=\"true\"><\/i>\n\t\t\t\t\t\t<span 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class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-54e44a8 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"54e44a8\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3a41a5ca elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3a41a5ca\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-custom\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-153fcc38\" data-id=\"153fcc38\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7670297f elementor-absolute elementor-widget elementor-widget-heading\" data-id=\"7670297f\" data-element_type=\"widget\" data-settings=\"{&quot;_position&quot;:&quot;absolute&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">site dance performances<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-eb3c390 elementor-widget elementor-widget-text-editor\" data-id=\"eb3c390\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<p><a href=\"http:\/\/somaticlandscape.com\/index.php\/site-dance-2\/\">artistic production, read more<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9f62bbe elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9f62bbe\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-fa967da\" data-id=\"fa967da\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-10fa86bb elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"10fa86bb\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-4941e1b8\" data-id=\"4941e1b8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3026906c elementor-widget elementor-widget-image\" data-id=\"3026906c\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"624\" height=\"400\" src=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/Participants_Fragments.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/Participants_Fragments.jpg 624w, https:\/\/somaticlandscape.com\/wp-content\/uploads\/2022\/01\/Participants_Fragments-300x192.jpg 300w\" sizes=\"(max-width: 624px) 100vw, 624px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-c82bbf7\" data-id=\"c82bbf7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6a6b5bb5 elementor-absolute elementor-widget elementor-widget-heading\" data-id=\"6a6b5bb5\" data-element_type=\"widget\" data-settings=\"{&quot;_position&quot;:&quot;absolute&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">participants<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3334fa7c elementor-widget elementor-widget-text-editor\" data-id=\"3334fa7c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<p>\u00a0<\/p><p>\u00a0<\/p><p>Rania (18, Morocco), Narjiis (19, Morocco), Hind (25, Morocco), Ona (15, Catalonia, Spain), Henry (17, Ghana), Dana (17, Ghana), Yasmin (15, Catalonia, Spain), Faria (16, Catalonia, Spain), Jean Pierre (24, Peru), Alexandra (21, Peru). <strong>Organization and logistics: <\/strong>Ester Bonal (Director Xamfr\u00e0), Estefania Soler (Xamfr\u00e0). <strong>Audiovisual work: <\/strong>\u00a0Laura Abad (photography), Marta Romero and Ana Moya (camera and video editing). <strong>Special thans to:<\/strong> Elisenda Guardiola and Gemma Andreu (Servei de Proximitat i Ve\u00efnatge de Ciutat Vella), Joan Cabot (St Pau del Camp Monastery), Sandra Jurado (Median T la Danza).\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a234a90 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a234a90\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-21b55f9\" data-id=\"21b55f9\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9315202 elementor-widget elementor-widget-heading\" data-id=\"9315202\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">support and collaboration<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4af90ff elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4af90ff\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3e6fd1c\" data-id=\"3e6fd1c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-dcab7b5 elementor-widget elementor-widget-text-editor\" data-id=\"dcab7b5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<p>The research was funded by The Cultural Initiative Support Office (OSIC), Cultural Department, Generalitat of Catalonia, Spain (CLT019\/20\/000154). It counted with the support and promotion in the format of an artistic research residency at \u2018Xamfr\u00e0, Centre de M\u00fasica i Escena del Raval&#8217; [Raval&#8217;s Music and Performance Centre], Barcelona.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1d28cbf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1d28cbf\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5ac4056 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5ac4056\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d2c5320\" data-id=\"d2c5320\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5a6101a elementor-widget elementor-widget-image\" data-id=\"5a6101a\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/elementor\/thumbs\/logos_FragmentsLligams-piizhv0n9ypcgfu8b91wzqyk1cpbyblc5l4ynk1akg.jpg\" title=\"logos_FragmentsLligams\" alt=\"logos_FragmentsLligams\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-213bc88 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"213bc88\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-e39637e\" data-id=\"e39637e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fb69c6f elementor-align-left elementor-widget elementor-widget-button\" data-id=\"fb69c6f\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a href=\"http:\/\/somaticlandscape.com\/index.php\/raval-barcelona\/\" class=\"elementor-button-link elementor-button elementor-size-sm elementor-animation-grow\" role=\"button\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">Raval, Barcelona<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-da5af63\" data-id=\"da5af63\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fcc0bce elementor-align-right elementor-widget elementor-widget-button\" data-id=\"fcc0bce\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a href=\"http:\/\/somaticlandscape.com\/index.php\/community-practices\/\" class=\"elementor-button-link elementor-button elementor-size-sm elementor-animation-grow\" role=\"button\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">Community Practices<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Fragments and Bondings THE BODY CREATIVE MEMORY IN COVID TIMES The Laboratory &#8220;Fragments and Bondings: the Body Creative Memory in Covid Times&#8221; (2021), was co-directed by Ana Moya (CHAIA, U. \u00c9vora), and Guille Vidal-Ribas, dance choreographer, performer, stage and movement director, cultural manager and researcher in the fields of street dances and theatre studies. It was developed in the framework of a transdisciplinary artistic applied-research, in the field of performing arts (site-specific dance, physical theatre, and performance) and theoretical thinking (performative and landscape studies and heritage), funded by The Cultural Initiative Support Office (OSIC), Cultural Department, Generalitat of Catalonia, Spain (CLT019\/20\/000154), in the format of an artistic research residency at \u2018Xamfr\u00e0, Raval&#8217;s Music and Performance Centre\u2019, Barcelona. The laboratory was implemented in the context of the district&#8217;s summer-activities addressed to adolescents in the neighbourhood, in July 2021. It engaged the participation of young people in Raval&#8217;s neighborhood at risk of social exclusion, among them unaccompanied young immigrants. We counted with 10 participants from 15 to 25 years old from a multicultural background (three from Morocco, three from Spain (Barcelona), two from Ghana, and two from Peru). Two participants were unaccompanied minors and one came from street social services. The Laboratory took place during two weeks from the 5th to 15th, July 2021, in afternoon sessions of four hours each. In this work, developed in 2021, we were concerned with this traumatic present experience derived from Covid-19 pandemic and we were aware of the importance to design a pilot laboratory in which to apply an experimental methodology. Our objective was to stimulate environmental awareness and seek people&#8217;s physical and mental wellbeing. We wanted the participants to rediscover their bodies, the relationship they establish with others (the community), and the urban spaces they inhabit. We wanted to foster social and emotional resilience and environmental adaptation to the new circumstances. We used body movement improvisation, physical theatre techniques, and site-dance to explore body memory as a tool for defining new affective bonds with urban places, new environmental adaptation processes, and \u2018body-place-community\u2019 relational universes. \u00a0 The sessions took place indoors in CESIRE (Center for Specific Pedagogical Resources to Support Innovation and Educational Research, Raval, Barcelona), and outdoors in eight different locations in Raval neighbourhood: two Parks (St. Pau del Camp Gardens and Tres Xemeneies), three squares (Blanquerna and Portal de la Pau; V. Moltalb\u00e1n and S. Segu\u00ed; and Seguretat Social), two boulevards (Rambla del Raval and Rambla de Sta M\u00f3nica); and Drassanes docks. \u00a0 \u00a0 In this research, we use body movement improvisation, physical theatre techniques, and site-dance to explore body memory as a tool for defining new affective bonds with urban places, new environmental adaptation processes, and \u2018body-place-community\u2019 relational universes. We understand our everyday lived experiences in their embodied, environmental and social dimension. The body is experienced as an inner and mental-sensory space. Urban places are acknowledged as outer and environmental-atmospheric spaces. The community is valued as a space of relationships, identifications and differentiation. We enquired about the relevant role that a creative body memory might play in the redefinition of a body-place-community dialogue, modified by the arrival of Covid-19.\u00a0 In this creative body memory exploration we observed the individual body memory built on impulses, actions, gestures, and bodily responses; and the collective body memory built on social exchanges and relationships. We also worked with two types of body memories: \u2018situational\u2019 and \u2018intercorporeal\u2019. The \u2018situational\u201d is a spatial memory, inseparable from multi-sensory and atmospheric perception and the \u2018intercorporeal\u2019 memory is based on relational embodied interactions and encounters. We also moved between the inner world (mental-sensory) and the outer world (environmental-atmospheric). Facebook Youtube ENVIRONMENTAL DIMENSION CORPOREAL DIMENSION SOCIAL DIMENSION ENVIRONMENTAL DIMENSION With the \u2018environmental dimension\u2019, our exercises aimed to detect the participants habits and tendencies when relating to the space and place they inhabit. Exercises encouraged them to find novel ways to interact with public spaces through a renewed sight, hear, and touch experience. They detected the particular atmosphere of places with their formal and rhythmic characteristics, and all physical components of those spaces were resources for their body creativity. Their actions in space affected how they transformed public spaces because we have an individual and collective capacity to re-signify places and their potential uses. \u00a0 Inside this dimension we studied the following topics: 1. environmental awareness (reflection), 2. environmental involvement (intercorporeality), 3. the blending of bodies and environments (immersion), 4. embodied environmental absorption (interpretation). CORPOREAL DIMENSION With the \u2018corporeal dimension\u2019, our exercises focused on noticing one&#8217;s own body, its shape and volume, its weight and motor possibilities. We motivated the awakening of the participants&#8217; senses, stimulating their inner and outer perceptual capacity. It was important to explore their body&#8217;s natural rhythms with special emphasis on breathing, heartbeat and other external movement\u2019s rhythms. According to different emotional states, the listening to those body changes foster a sense of presence and psychophysical availability. \u00a0 \u00a0 Inside this dimension we studied the following topics: 5.creative embodied replication of environmental experiences (recreation), 6. the evocation and assimilation of past embodied experiences (incorporation), 7. the radiation of the body&#8217;s pulsation (energies and rhythms) into the environment (projection). \u00a0 SOCIAL DIMENSION With the \u2018social dimension\u2019, our exercises detected one&#8217;s habits and tendencies when interacting with other people and we aimed to find novel ways of interrelating with others and in the group, using body language, spoken words, and shared actions. Exercises brought awareness about physical and ideological diversity and it inspired creative and artistic cooperation. We encouraged a caring attitude among participants through mutual listening, empathy, solidarity and teamwork. \u00a0 \u00a0 Inside this dimension we studied the following topics: 8. the involvement and dialogue with the other using an embodied language of communication (connection), 9. the sharing of embodied experiences (exchange), 10. the creative actions and performances with a willingly transformation of reality and the environment (desire). \u00a0 Previous Next site dance performances artistic production, read more participants \u00a0 \u00a0 Rania (18, Morocco), Narjiis (19, Morocco), Hind (25, Morocco), Ona (15, Catalonia, Spain), Henry (17, Ghana), Dana (17, Ghana), Yasmin (15, Catalonia, Spain), Faria (16, Catalonia, Spain), Jean Pierre (24, Peru), Alexandra (21, Peru). Organization and logistics: Ester Bonal (Director Xamfr\u00e0), Estefania Soler (Xamfr\u00e0). Audiovisual work: \u00a0Laura Abad (photography), Marta Romero and Ana Moya (camera and video editing). Special thans to: Elisenda Guardiola and Gemma Andreu (Servei de Proximitat i Ve\u00efnatge de Ciutat Vella), Joan Cabot (St Pau del Camp Monastery), Sandra Jurado (Median T la Danza).\u00a0 support and collaboration The research was funded by The Cultural Initiative Support Office (OSIC), Cultural Department, Generalitat of Catalonia, Spain (CLT019\/20\/000154). It counted with the support and promotion in the format of an artistic research residency at \u2018Xamfr\u00e0, Centre de M\u00fasica i Escena del Raval&#8217; [Raval&#8217;s Music and Performance Centre], Barcelona. Raval, Barcelona Community Practices<\/p>\n","protected":false},"author":1,"featured_media":2659,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Fragments and Bondings - Somatic Landscape<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/somaticlandscape.com\/index.php\/fragments-and-bondings\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fragments and Bondings - Somatic Landscape\" \/>\n<meta property=\"og:description\" content=\"Fragments and Bondings THE BODY CREATIVE MEMORY IN COVID TIMES The Laboratory &#8220;Fragments and Bondings: the Body Creative Memory in Covid Times&#8221; (2021), was co-directed by Ana Moya (CHAIA, U. \u00c9vora), and Guille Vidal-Ribas, dance choreographer, performer, stage and movement director, cultural manager and researcher in the fields of street dances and theatre studies. It was developed in the framework of a transdisciplinary artistic applied-research, in the field of performing arts (site-specific dance, physical theatre, and performance) and theoretical thinking (performative and landscape studies and heritage), funded by The Cultural Initiative Support Office (OSIC), Cultural Department, Generalitat of Catalonia, Spain (CLT019\/20\/000154), in the format of an artistic research residency at \u2018Xamfr\u00e0, Raval&#8217;s Music and Performance Centre\u2019, Barcelona. The laboratory was implemented in the context of the district&#8217;s summer-activities addressed to adolescents in the neighbourhood, in July 2021. It engaged the participation of young people in Raval&#8217;s neighborhood at risk of social exclusion, among them unaccompanied young immigrants. We counted with 10 participants from 15 to 25 years old from a multicultural background (three from Morocco, three from Spain (Barcelona), two from Ghana, and two from Peru). Two participants were unaccompanied minors and one came from street social services. The Laboratory took place during two weeks from the 5th to 15th, July 2021, in afternoon sessions of four hours each. In this work, developed in 2021, we were concerned with this traumatic present experience derived from Covid-19 pandemic and we were aware of the importance to design a pilot laboratory in which to apply an experimental methodology. Our objective was to stimulate environmental awareness and seek people&#8217;s physical and mental wellbeing. We wanted the participants to rediscover their bodies, the relationship they establish with others (the community), and the urban spaces they inhabit. We wanted to foster social and emotional resilience and environmental adaptation to the new circumstances. We used body movement improvisation, physical theatre techniques, and site-dance to explore body memory as a tool for defining new affective bonds with urban places, new environmental adaptation processes, and \u2018body-place-community\u2019 relational universes. \u00a0 The sessions took place indoors in CESIRE (Center for Specific Pedagogical Resources to Support Innovation and Educational Research, Raval, Barcelona), and outdoors in eight different locations in Raval neighbourhood: two Parks (St. Pau del Camp Gardens and Tres Xemeneies), three squares (Blanquerna and Portal de la Pau; V. Moltalb\u00e1n and S. Segu\u00ed; and Seguretat Social), two boulevards (Rambla del Raval and Rambla de Sta M\u00f3nica); and Drassanes docks. \u00a0 \u00a0 In this research, we use body movement improvisation, physical theatre techniques, and site-dance to explore body memory as a tool for defining new affective bonds with urban places, new environmental adaptation processes, and \u2018body-place-community\u2019 relational universes. We understand our everyday lived experiences in their embodied, environmental and social dimension. The body is experienced as an inner and mental-sensory space. Urban places are acknowledged as outer and environmental-atmospheric spaces. The community is valued as a space of relationships, identifications and differentiation. We enquired about the relevant role that a creative body memory might play in the redefinition of a body-place-community dialogue, modified by the arrival of Covid-19.\u00a0 In this creative body memory exploration we observed the individual body memory built on impulses, actions, gestures, and bodily responses; and the collective body memory built on social exchanges and relationships. We also worked with two types of body memories: \u2018situational\u2019 and \u2018intercorporeal\u2019. The \u2018situational\u201d is a spatial memory, inseparable from multi-sensory and atmospheric perception and the \u2018intercorporeal\u2019 memory is based on relational embodied interactions and encounters. We also moved between the inner world (mental-sensory) and the outer world (environmental-atmospheric). Facebook Youtube ENVIRONMENTAL DIMENSION CORPOREAL DIMENSION SOCIAL DIMENSION ENVIRONMENTAL DIMENSION With the \u2018environmental dimension\u2019, our exercises aimed to detect the participants habits and tendencies when relating to the space and place they inhabit. Exercises encouraged them to find novel ways to interact with public spaces through a renewed sight, hear, and touch experience. They detected the particular atmosphere of places with their formal and rhythmic characteristics, and all physical components of those spaces were resources for their body creativity. Their actions in space affected how they transformed public spaces because we have an individual and collective capacity to re-signify places and their potential uses. \u00a0 Inside this dimension we studied the following topics: 1. environmental awareness (reflection), 2. environmental involvement (intercorporeality), 3. the blending of bodies and environments (immersion), 4. embodied environmental absorption (interpretation). CORPOREAL DIMENSION With the \u2018corporeal dimension\u2019, our exercises focused on noticing one&#8217;s own body, its shape and volume, its weight and motor possibilities. We motivated the awakening of the participants&#8217; senses, stimulating their inner and outer perceptual capacity. It was important to explore their body&#8217;s natural rhythms with special emphasis on breathing, heartbeat and other external movement\u2019s rhythms. According to different emotional states, the listening to those body changes foster a sense of presence and psychophysical availability. \u00a0 \u00a0 Inside this dimension we studied the following topics: 5.creative embodied replication of environmental experiences (recreation), 6. the evocation and assimilation of past embodied experiences (incorporation), 7. the radiation of the body&#8217;s pulsation (energies and rhythms) into the environment (projection). \u00a0 SOCIAL DIMENSION With the \u2018social dimension\u2019, our exercises detected one&#8217;s habits and tendencies when interacting with other people and we aimed to find novel ways of interrelating with others and in the group, using body language, spoken words, and shared actions. Exercises brought awareness about physical and ideological diversity and it inspired creative and artistic cooperation. We encouraged a caring attitude among participants through mutual listening, empathy, solidarity and teamwork. \u00a0 \u00a0 Inside this dimension we studied the following topics: 8. the involvement and dialogue with the other using an embodied language of communication (connection), 9. the sharing of embodied experiences (exchange), 10. the creative actions and performances with a willingly transformation of reality and the environment (desire). \u00a0 Previous Next site dance performances artistic production, read more participants \u00a0 \u00a0 Rania (18, Morocco), Narjiis (19, Morocco), Hind (25, Morocco), Ona (15, Catalonia, Spain), Henry (17, Ghana), Dana (17, Ghana), Yasmin (15, Catalonia, Spain), Faria (16, Catalonia, Spain), Jean Pierre (24, Peru), Alexandra (21, Peru). Organization and logistics: Ester Bonal (Director Xamfr\u00e0), Estefania Soler (Xamfr\u00e0). Audiovisual work: \u00a0Laura Abad (photography), Marta Romero and Ana Moya (camera and video editing). Special thans to: Elisenda Guardiola and Gemma Andreu (Servei de Proximitat i Ve\u00efnatge de Ciutat Vella), Joan Cabot (St Pau del Camp Monastery), Sandra Jurado (Median T la Danza).\u00a0 support and collaboration The research was funded by The Cultural Initiative Support Office (OSIC), Cultural Department, Generalitat of Catalonia, Spain (CLT019\/20\/000154). It counted with the support and promotion in the format of an artistic research residency at \u2018Xamfr\u00e0, Centre de M\u00fasica i Escena del Raval&#8217; [Raval&#8217;s Music and Performance Centre], Barcelona. Raval, Barcelona Community Practices\" \/>\n<meta property=\"og:url\" content=\"https:\/\/somaticlandscape.com\/index.php\/fragments-and-bondings\/\" \/>\n<meta property=\"og:site_name\" content=\"Somatic Landscape\" \/>\n<meta property=\"article:modified_time\" content=\"2022-01-04T20:33:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2021\/06\/Intro_image_Fragmentsandconnections.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1082\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/somaticlandscape.com\/#website\",\"url\":\"https:\/\/somaticlandscape.com\/\",\"name\":\"Somatic Landscape\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/somaticlandscape.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/somaticlandscape.com\/index.php\/fragments-and-bondings\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2021\/06\/Intro_image_Fragmentsandconnections.jpg\",\"contentUrl\":\"https:\/\/somaticlandscape.com\/wp-content\/uploads\/2021\/06\/Intro_image_Fragmentsandconnections.jpg\",\"width\":1920,\"height\":1082},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/somaticlandscape.com\/index.php\/fragments-and-bondings\/#webpage\",\"url\":\"https:\/\/somaticlandscape.com\/index.php\/fragments-and-bondings\/\",\"name\":\"Fragments and Bondings - Somatic Landscape\",\"isPartOf\":{\"@id\":\"https:\/\/somaticlandscape.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/somaticlandscape.com\/index.php\/fragments-and-bondings\/#primaryimage\"},\"datePublished\":\"2021-06-09T10:18:50+00:00\",\"dateModified\":\"2022-01-04T20:33:02+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/somaticlandscape.com\/index.php\/fragments-and-bondings\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/somaticlandscape.com\/index.php\/fragments-and-bondings\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/somaticlandscape.com\/index.php\/fragments-and-bondings\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/somaticlandscape.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Fragments and Bondings\"}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fragments and Bondings - Somatic Landscape","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/somaticlandscape.com\/index.php\/fragments-and-bondings\/","og_locale":"en_US","og_type":"article","og_title":"Fragments and Bondings - Somatic Landscape","og_description":"Fragments and Bondings THE BODY CREATIVE MEMORY IN COVID TIMES The Laboratory &#8220;Fragments and Bondings: the Body Creative Memory in Covid Times&#8221; (2021), was co-directed by Ana Moya (CHAIA, U. \u00c9vora), and Guille Vidal-Ribas, dance choreographer, performer, stage and movement director, cultural manager and researcher in the fields of street dances and theatre studies. It was developed in the framework of a transdisciplinary artistic applied-research, in the field of performing arts (site-specific dance, physical theatre, and performance) and theoretical thinking (performative and landscape studies and heritage), funded by The Cultural Initiative Support Office (OSIC), Cultural Department, Generalitat of Catalonia, Spain (CLT019\/20\/000154), in the format of an artistic research residency at \u2018Xamfr\u00e0, Raval&#8217;s Music and Performance Centre\u2019, Barcelona. The laboratory was implemented in the context of the district&#8217;s summer-activities addressed to adolescents in the neighbourhood, in July 2021. It engaged the participation of young people in Raval&#8217;s neighborhood at risk of social exclusion, among them unaccompanied young immigrants. We counted with 10 participants from 15 to 25 years old from a multicultural background (three from Morocco, three from Spain (Barcelona), two from Ghana, and two from Peru). Two participants were unaccompanied minors and one came from street social services. The Laboratory took place during two weeks from the 5th to 15th, July 2021, in afternoon sessions of four hours each. In this work, developed in 2021, we were concerned with this traumatic present experience derived from Covid-19 pandemic and we were aware of the importance to design a pilot laboratory in which to apply an experimental methodology. Our objective was to stimulate environmental awareness and seek people&#8217;s physical and mental wellbeing. We wanted the participants to rediscover their bodies, the relationship they establish with others (the community), and the urban spaces they inhabit. We wanted to foster social and emotional resilience and environmental adaptation to the new circumstances. We used body movement improvisation, physical theatre techniques, and site-dance to explore body memory as a tool for defining new affective bonds with urban places, new environmental adaptation processes, and \u2018body-place-community\u2019 relational universes. \u00a0 The sessions took place indoors in CESIRE (Center for Specific Pedagogical Resources to Support Innovation and Educational Research, Raval, Barcelona), and outdoors in eight different locations in Raval neighbourhood: two Parks (St. Pau del Camp Gardens and Tres Xemeneies), three squares (Blanquerna and Portal de la Pau; V. Moltalb\u00e1n and S. Segu\u00ed; and Seguretat Social), two boulevards (Rambla del Raval and Rambla de Sta M\u00f3nica); and Drassanes docks. \u00a0 \u00a0 In this research, we use body movement improvisation, physical theatre techniques, and site-dance to explore body memory as a tool for defining new affective bonds with urban places, new environmental adaptation processes, and \u2018body-place-community\u2019 relational universes. We understand our everyday lived experiences in their embodied, environmental and social dimension. The body is experienced as an inner and mental-sensory space. Urban places are acknowledged as outer and environmental-atmospheric spaces. The community is valued as a space of relationships, identifications and differentiation. We enquired about the relevant role that a creative body memory might play in the redefinition of a body-place-community dialogue, modified by the arrival of Covid-19.\u00a0 In this creative body memory exploration we observed the individual body memory built on impulses, actions, gestures, and bodily responses; and the collective body memory built on social exchanges and relationships. We also worked with two types of body memories: \u2018situational\u2019 and \u2018intercorporeal\u2019. The \u2018situational\u201d is a spatial memory, inseparable from multi-sensory and atmospheric perception and the \u2018intercorporeal\u2019 memory is based on relational embodied interactions and encounters. We also moved between the inner world (mental-sensory) and the outer world (environmental-atmospheric). Facebook Youtube ENVIRONMENTAL DIMENSION CORPOREAL DIMENSION SOCIAL DIMENSION ENVIRONMENTAL DIMENSION With the \u2018environmental dimension\u2019, our exercises aimed to detect the participants habits and tendencies when relating to the space and place they inhabit. Exercises encouraged them to find novel ways to interact with public spaces through a renewed sight, hear, and touch experience. They detected the particular atmosphere of places with their formal and rhythmic characteristics, and all physical components of those spaces were resources for their body creativity. Their actions in space affected how they transformed public spaces because we have an individual and collective capacity to re-signify places and their potential uses. \u00a0 Inside this dimension we studied the following topics: 1. environmental awareness (reflection), 2. environmental involvement (intercorporeality), 3. the blending of bodies and environments (immersion), 4. embodied environmental absorption (interpretation). CORPOREAL DIMENSION With the \u2018corporeal dimension\u2019, our exercises focused on noticing one&#8217;s own body, its shape and volume, its weight and motor possibilities. We motivated the awakening of the participants&#8217; senses, stimulating their inner and outer perceptual capacity. It was important to explore their body&#8217;s natural rhythms with special emphasis on breathing, heartbeat and other external movement\u2019s rhythms. According to different emotional states, the listening to those body changes foster a sense of presence and psychophysical availability. \u00a0 \u00a0 Inside this dimension we studied the following topics: 5.creative embodied replication of environmental experiences (recreation), 6. the evocation and assimilation of past embodied experiences (incorporation), 7. the radiation of the body&#8217;s pulsation (energies and rhythms) into the environment (projection). \u00a0 SOCIAL DIMENSION With the \u2018social dimension\u2019, our exercises detected one&#8217;s habits and tendencies when interacting with other people and we aimed to find novel ways of interrelating with others and in the group, using body language, spoken words, and shared actions. Exercises brought awareness about physical and ideological diversity and it inspired creative and artistic cooperation. We encouraged a caring attitude among participants through mutual listening, empathy, solidarity and teamwork. \u00a0 \u00a0 Inside this dimension we studied the following topics: 8. the involvement and dialogue with the other using an embodied language of communication (connection), 9. the sharing of embodied experiences (exchange), 10. the creative actions and performances with a willingly transformation of reality and the environment (desire). \u00a0 Previous Next site dance performances artistic production, read more participants \u00a0 \u00a0 Rania (18, Morocco), Narjiis (19, Morocco), Hind (25, Morocco), Ona (15, Catalonia, Spain), Henry (17, Ghana), Dana (17, Ghana), Yasmin (15, Catalonia, Spain), Faria (16, Catalonia, Spain), Jean Pierre (24, Peru), Alexandra (21, Peru). Organization and logistics: Ester Bonal (Director Xamfr\u00e0), Estefania Soler (Xamfr\u00e0). Audiovisual work: \u00a0Laura Abad (photography), Marta Romero and Ana Moya (camera and video editing). Special thans to: Elisenda Guardiola and Gemma Andreu (Servei de Proximitat i Ve\u00efnatge de Ciutat Vella), Joan Cabot (St Pau del Camp Monastery), Sandra Jurado (Median T la Danza).\u00a0 support and collaboration The research was funded by The Cultural Initiative Support Office (OSIC), Cultural Department, Generalitat of Catalonia, Spain (CLT019\/20\/000154). It counted with the support and promotion in the format of an artistic research residency at \u2018Xamfr\u00e0, Centre de M\u00fasica i Escena del Raval&#8217; [Raval&#8217;s Music and Performance Centre], Barcelona. 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